Category Archives: Issue 13

Transcendentalism

Luke Kline

Transcendentalism began to develop in the 1820s. It was the idea that our human spirits were involved with yet went beyond the natural world.  The natural world is not the only real thing.  Transcendentalists tend to view nature as a way of communicating the condition of the human soul.

An example of the transcendentalist worldview is displayed in Walt Whitman’s poem “The Ship Starting.”  Whitman uses extremely figurative language and personifies ordinary natural objects to represent human souls.  In the poem the ship represents humans sailing on the vast ocean.  The vast ocean represents the ever-changing and unpredictable life of humans.  Upon reading this poem literally one may just observe a narrative about a large ship sailing on the ocean.  However, each item in the poem represents something bigger than itself.  Everything is a symbol for something else.  This is the embodiment of transcendentalism itself.

For transcendentalists nothing is merely physical.  Spiritualism and divinity are a part of all aspects of life.  This is why you will rarely find a transcendentalist writing literally.  Almost everything in their works stands for something else.  The natural world represents the spiritual world.

Another aspect of transcendentalists is the idea of individualism.  Every individual is made equal and all are called to a certain purpose.  An excellent example of this worldview is found in another of Whitman’s poems entitled “I Hear America Singing.”  In the poem Whitman describes all different types of people performing their duties.  Everyone is “singing” while they perform their duty.  This can be interpreted as everybody is happy and satisfied with what they are doing.  Another aspect of a transcendental view of human nature is revealed here.  It is that all humans are inherently good.  When people perform their duty there should be no grumbling and complaining.  By fulfilling their duties they are good and satisfied.

Besides secular aspects, transcendentalists also have their religious views of religion.  In general, they tend to denounce the traditional creeds and traditions of the church.  Rather, they seek to find God in their soul and in spirit.  Instead of studying the Bible to receive the Holy Spirit, they desire a special revelation from God Himself.  Transcendentalists are firm believers in oracles and direct inspiration from God.  Here we again observe this reoccurring idea of putting aside the physical world and searching for the true things of the spiritual world.

Finally, the idea of coming out of the old and into the new is prevalent in a transcendentalist’s worldview.  Transcendentalists were not satisfied with the church or the political parties.  When the movement commenced, many separated themselves from church and state and sought fellowship with people who had the same mindset as them.  This idea of embracing the new is what caused them to not take faith in the “old church” and seek God in His present day being.  Transcendentalists support modernization of religion.  With all this, it is clear to see that transcendentalism centers around the idea of change and the embracing of new things.

Bibliography

Miller, Perry. The American Transcendentalists: Their Prose and Poetry. New York: Doubleday Anchor. 1957. Print.

Whitman, Walt. Leaves of Grass. Philadelphia: D. McKay, 1900. Print.

Hard vs. Soft Science Fiction

Chris Glock

Like most genres of literature, science fiction can be divided into sub-genres.  Of these sub-genres there is hard sci-fi and its opposite hard sci-fi.  Of these two genres there are many famous writers and works in each.  The line between the two is very grey with varying levels of hardness and softness as opposed to having just hard and just soft.

Science fiction is a fictitious genre that focuses on real and hypothetical science.  Usually science fiction takes place in the future, however there is a good number occurring in a modern setting and some even taking place in the past.  People often lump science fiction under the fantasy genre of which many sci-fi books could fall.

Hard science fiction had a focus on scientific fact or accuracy.  This definition however says nothing about the actual literary content of the book, which is why to many people it is not as alluring as soft science fiction.  Because of this hard sci-fi is sometimes scrutinized for putting scientific accuracy above all else.  People who aren’t fans of this sometimes see them as textbooks filled with knowledge rather than an entertaining story.

A great example of this hard science fiction is “Day Million” by Frederik Pohl.  This book tells the story of Don and Dora from the future, day one million to be precise.  While like all books it has a plot and main characters, they serve only to keep readers interested.  The book primarily talks about how different life is in the future.  Don is cybernetic and has a metal body, while Dora is some sort of modified human with gills and a tail.  At the end they both get married then never see each other again, this is because they both download the other’s personality into their minds so that they can see, hear, and feel, the other at any given moment.  That is the entirety of the plot; much more attention and detail goes into describing how this futuristic world functions.

Soft science fiction in contrast is any work of literature set in a fictitious scientific setting despite how inaccurate or realistic it is.  Many people prefer this, and for a good reason, too: without being held to the realism set by hard science fiction, the writers have easier times creating and interesting and captivating story for their audiences.  These books also tend to be better known as people who aren’t fans of the scientific side of them can still find the story fascinating.

A famous work of soft science fiction is H.G. Wells’s The Invisible Man.  It tells how a man named Griffin turns himself invisible; while conducting research, Griffin gets himself in trouble with the town.  He is then chased down and killed by everyone in the town.  This is soft science fiction because, while it does have scientific principles, it is used as a backdrop to the rest of the story.  The book doesn’t even mention how Griffin had become invisible except for it had been an accident during an experiment.

Bibliography

Blish, James B. “Surface tension.” N.p.: Gnome Press, 1957. Print.

Clarke, Arthur C. “Childhood’s End.” N.p.: Ballantine Books, 1953. Print.

Pohl, Frederick G. “Day Million.” Lanham: Scarecrow Press, Inc., 1979. N. pag. Web. 11 Oct. 2014. <http://www.sfcenter.ku.edu/Sci-Tech-Society/stored/day_million.pdf&gt;.

Wells, Herbert G. The Invisible Man. N.p.: C. Arthur Pearson, 1876. Print.

Hi There!

Christopher Rush

Welcome back!  Your dreams, indeed, were your ticket out, but here we are together again, wouldn’t miss it.  How are we doing?  Same as always.  We are back in the saddle once again.  We have shaken off the dust, polished the fine silverware, and wound our pocketwatches for a new season.  How are you doing?

I know what you’re thinking: “Why?  You ended on top, masters of your field!  It ended so beautifully, so heartwarmingly optimistically — there’s no chance to be as great as it once was!”  Easy, now.  In a world in which Monty Python can reunite to sold-out shows, Rush can be inducted into the Rock and Roll Hall of Fame, Batman is finally released in Blu-ray in its entirety (the Adam West version, of course), and Bob Seeger, AC/DC, U2, and Pink Floyd(!) can release new albums, surely we, too, are allowed to do something unexpected and unhoped for.

At the beginning of series two, I made a list (in approximately 28 seconds) of the various topics I wanted to write about, including every entry in the much-beloved “Forgotten Gems” series.  During series two and three, I wrote them all.  The journal and I accomplished everything we set out to do.  It was a rewarding yet tiring experience.  New opportunities came along, people grow old, things change, many factors that need not be enumerated here (or ever) … it was time for a break.

And yet here we are again.  Yes, despite the positive surprise occurrences mentioned above, the world is much different, darker, angrier, more confused place than it was when we left (a world in which the Forces of Darkness are met not by Armies of Light but by apologetic open letters), but what better reason to return and bring more hope back to a world that needs it so much?  We don’t have to be what we once were — we won’t even try.  We’ll just be who we are now, not trying to emulate ourselves or “the good ol’ days,” and see the world perhaps not as it is but as it should be, making Cervantes (O’Toole’s Cervantes, at least) proud as we go.

Reedeming Pandora is no longer an elective, and thus we will be different by necessity.  Instead of having the same core group of seniors contributing work each issue, we will expand our horizons and broaden our vision.  Most of the diverse selections will be the sundry projects from Honors English students, grades 10-12.  This relates to the general change of the Honors program in English: instead of having all Honors students do the same task each quarter, students are pursuing individually-tailored courses of study, what we’ve informally nicknamed “More Better Different.”  Along with this freedom comes a variety of ways students are proving their learning.  Some will be papers, some will be modified slideshows, some will be … I have no idea what some will be.  This is awfully exciting.  We are trying to bring that freshness into Redeeming Pandora.

True, this spontaneity may make it difficult to advertise what will occur from issue to issue, as even I don’t have much of a plan for what to write about, but as we like to say around the office, our motto at Summit is “Keepin’ it Fresh.”

As always, we will welcome the contributions of old friends (alumni), and perhaps we will see contributions by new friends (who may or not be alumni or even people who have never been to Summit).  Perhaps we will revisit some old series like Forgotten Gems, perhaps we will pay more attention to the world around us now.  We’ll find out together.  There are truly no lines on the horizons (other than the limitations of the printed page, of course).

One thing I do know, we will continue to bring laughter and warmth and hope to your lives and ours.  It’s not the time to give up and allow the darkness free reign over the world and our souls.

So buckle up, boys and girls!  The band is back together.  It’s Magic Time.

Cue the Collective Soul (believe me, it sounds better than it reads):

Welcome all, welcome all

Welcome all my friends.

Welcome all, welcome all

Welcome all again.

Welcome all, welcome all

Welcome all my friends.

Welcome all, welcome all

Welcome all again.

Welcome all again

Welcome all again

Welcome all again

Welcome all again!